“Dark, gritty and suspenseful”

When I emailed an epub version of Painted Black to Jenn’s Review Blog on May 8, I did so hoping she’d be able to get to it by the end of June. Reviewers are swamped these days with review requests and Jenn had only been able to tell me she would get to it as soon as she could.

So I was very surprised to get her email May 31 saying she was already done and had posted the review on her blog. According to her email: “Once I started reading it I couldn’t put it down! Review is posted on my blog and I am posting to Amazon, B&N and Goodreads also 🙂 I hope you will consider asking me to review your next book, I loved the character of Jo Sullivan! Thanks again for the opportunity.”

Click the link below to read her full review.

This is one of those stories that really opens your eyes. Homeless street kids are everywhere but do we really stop and notice them as we go about our day to day lives? Jo Sullivan is a reporter writing a Street Stories column who after a brief meeting with Lexie Green becomes embroiled in one of the most unique mysteries I’ve read in a long time. From drugs, hustling, and child abuse to the seedy and disgusting desires of a strange and twisted man this story keeps you reading from page one to the last word. Dark, gritty and suspenseful this is a seat of your pants ride that you won’t soon forget.

via Jenn’s Review Blog: Painted Black.

“Successfully creepy”

citiesThis review slipped by my notice until yesterday. Connor Rickett tells his views about the good, the bad and the–well, there isn’t really anything ugly in his review, so I’m counting it as a big win. See what you think–click through to read the whole review.

Debra R. Borys is a good writer, and Painted Black keeps the pace up throughout. The characters come across as real, and the at times disturbing reality of the way she portrays the lives of the homeless lend the entire book a visceral feel. She clearly mines her own experiences working with the homeless community to bring the streets to life. The gritty realism that surrounds the protagonists gives them a flavor, and Borys does not seem to feel burdened to tie up every loose end and personal issue in a nice little happy bow. That simple accession to reality is one a lot of writers refuse to make, invested as we are in our characters.

Another item particularly well done was the dialog. Borys must have an ear for it, because it flows naturally, and mimicking the slang of the inner city is something very good writers often mess up painfully.

The villains are certainly intimidating, and, however twisted, far from incompetent most the time. There is nothing that drives a story forward quite like villains suffering from competence and a tendency towards intelligent action. There are some elements that are almost creepy, and some elements that are incredibly successfully creepy. A good villain can make a book, and though I wish they had been given more page time, these guys did their job: They made you think the protagonists were in real danger.

via  Cities of the Mind.